Halfway there gentle reader. Halfway there. Would it be problematic to say Fifty Shades Darker: Honey I Blew Up the Kids (thanks Angie) ends at page 300?
I think at this point we can guess that Christian Grey will fill up Anastasia Steele’s tank with high octane semen. They will send email that will make you wish humans were never given the gift of communication. And Ana will think thoughts that show she has the emotional maturity of a stinky fart.
For more stinky farts, check out these past recraps here.
Okayokayokayokay pages 251-300 here we go….Ana’s at work recuperating from a weekend of sailing and screwing. And now we get the emails that contribute nothing to the story but everything to the downfall of civilization.
So this goes on until archaeologists uncover my desiccated corpse in the year 3012.
Ana’s sleaze ball boss Jack Hyde sends her out for lunch, and Ana feels like she’s being watched–which she is, by Christian’s hench men. Love? Yeah, this ain’t it.
Christian gets all shouty in the phone because she’s not allowed to be in the open because of the “danger” posed by Leila. And she’s like “poop” and hangs up. Jack says she has to work late and looks at her lecherously because every man wants Ana. Is that not clear? Try to keep up.
They work late. Jack tries to “accidentally” smoosh his body into hers.
So they continue to engage in realistic dialogue for adult human beings, and he says “You like your boyfriend?” And Ana’s vagina engorges just at the thought of Christian’s Twizzler®-like fingers poking into her. “I love him,” she breathes. “What’s his surname?” Jack asks using terminology that normal adult human beings employ in normal conversations. Of course Ana flushes because she has a fire in her pants and says “Grey, Christian Grey.” And Jack puts his erection away and dissolves into a puddle. “I’m melting,” he shrieks. “I’m melting.”
Ana leaves work and gets into a car with Christian. They breathe and mutter and anger at each other. They then hump in the elevator:
Now they’re in Christian’s apartment. They say boring things and suddenly Christian’s man servant announces Elena is on her way. Elena is surprised to see Ana there and I like unsweetened tea, which is just as relevant to the story as anything else.
She’s there because she’s being ransomed.
Sure, why not?
And that is what happens. Ana eavesdrops. Christian goes on and on about how she’s his future, but he’s unworthy. And I once had a cat named Raffles and when he died I got a second cat and named him Raffles the Second.
Ana goes to sleep and wakes up and finds Christian playing a melancholy song on the piano. I feel like this has happened before, maybe 400 other times, but it’s still really powerful. Or not. Not at all, actually.
Hey guess what? They pound the piano keys whilst pounding into each other. Christian says something really creepy about not letting her come because she argued with him or some such grossness.
Ana feels like she doesn’t know much about Christian. Like, she doesn’t know if he would, like, drink tea at night or stuff. And then, like, I realize I don’t know, if, like, my husband would do that either. And I’m like whoa.
She tries to get more info out of him with some stealthy questions. “Do you have any happy memories of your childhood?”
“I recall the crack whore baking.”
Betty Crocker–I think you found your next marketing slogan.